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Philip
Moderator
Singapore
481 Posts |
 Posted - 25 Feb 2007 : 20:27:31
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Hin Huat are honored to be the exclusive distribution partner for Stanton DJ in Singapore and Malaysia.
Welcome to visit us when you are in Singapore.
Showroom location,
Hin Huat Enterprises Pte Ltd
1 Rochor Canal Road
Unit 01-13/14, Sim Lim Square
Singapore 188504
Tel : (65) 62969288, (65) 62969168
Email : ehinhuat@singnet.com.sg
Person-In-Charge : Philip
Business Hour : 11.30am to 7.30pm
Business Day : Monday to Saturday except Sundays & public holidays
Nature of Business : 30++ years in distribution Technics DJ products
Latest Product Distribution: Stanton DJ
Website : www.HinHuatDJ.com
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Edited by - Philip on 21 Apr 2009 19:45:24
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Philip
Moderator
Singapore
481 Posts |
Posted - 25 Feb 2007 : 20:34:17
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Stanton Showroom - Singapore
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Edited by - Philip on 21 Apr 2009 16:12:17 |
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Philip
Moderator
Singapore
481 Posts |
Posted - 25 Feb 2007 : 20:35:28
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Philip
Moderator
Singapore
481 Posts |
Posted - 25 Feb 2007 : 20:37:54
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Philip
Moderator
Singapore
481 Posts |
Posted - 25 Feb 2007 : 20:39:48
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About Stanton Magnetics, USA
Founded in 1946, Stanton Magnetics is an industry leader in the design and manufacture of professional audio products for club and mobile DJs and turntablists. The company's product range includes turntables, high-performance cartridges, CD players, DJ mixers, accessories and Final Scratch?a breakthrough system which allows DJs to play, mix and scratch music files from their computers using standard turntables. With over 50 years of innovation, Stanton is the name DJs trust.[/b]
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Edited by - Philip on 21 Apr 2009 20:43:15 |
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Philip
Moderator
Singapore
481 Posts |
Posted - 25 Feb 2007 : 20:46:15
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FinalScratch 2 Setup
 
Message from Stanton
STANTON STRENGTHENS FINALSCRATCH 2 SUPPORT
FinalScratch 2 DJs: prepare for stronger support than ever before. Stanton has always regarded the DJs first, and is redoubling its efforts to create and maintain the right products and solutions for their craft. The company stands full force behind the FS2 system and hardware, and is making an aggressive effort toward continuing to educate and service users while helping them to fully utilize the capabilities of the program. Stanton, who brought the first- ever digital DJ solution to market with FinalScratch, will continue to update and support FS2, and any future product endeavors will be fully compatible. Be prepared for exciting new development announcements from Stanton in January 07!
Stanton has made a heavy investment in FS2 support. The company offers fast, live FinalScratch 2 tech support driven out of their home office and managed by a dynamic team of DJ experts who are able to work FS2 users quickly and efficiently through their areas of concern. "With various levels of Service and Technical Support available via phone and email, the vast majority of our
calls are answered in less than 30 seconds and with immediate customer satisfaction", said Customer Service Director Enio Martinez. Martinez continued, "We will continue our focus on providing Superior Customer Service and Support with innovative means of communication and call resolution." Wait times are minimal, and customers will reach a friendly, highly competent DJ waiting with solutions and invaluable manufacturer's insight on the FinalScratch 2 system.
The Stanton Group is confident that this focus will have a tremendous impact on the FinalScratch community as it continues to grow. The Stanton support team can be reached via email at fssupport@finalscratch.com or via the helpline at +1 954. 316. 1500 (option 4) M-F from 9am - 6pm EST.
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Edited by - Philip on 21 Apr 2009 19:57:17 |
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Philip
Moderator
Singapore
481 Posts |
Posted - 25 Feb 2007 : 20:49:15
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coming soon..
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Edited by - Philip on 21 Apr 2009 19:58:06 |
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Philip
Moderator
Singapore
481 Posts |
Posted - 25 Feb 2007 : 20:52:11
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message from Stanton
EXISTING FINALSCRATCH DJs
A Note to Our Loyal FinalScratch DJs
As we progress into the new year 2007, Stanton would like to address our FinalScratch loyals, and give you a little insight as to where we're headed. Led by our original launch of the FinalScratch technology, the world of digital DJing has grown and developed immensely over recent years, and Stanton remains highly committed to this movement. Our strategy is and has always been to stay focused on releasing only the most innovative digital solutions, based on emerging technologies, and on what makes sense through the eyes of the DJ.
We will continue to support our loyal users, and over the coming year you will see a digital product strategy unfold from Stanton that gives you the tools you need to reach performance abilities you never thought possible as a DJ, allowing you to take full advantage of the digital DJ technology that we pioneered with FinalScratch.
FinalScratch OPEN
The first step in our strategy is to introduce you to FinalScratch OPEN. Today, there are a number of feature-filled DJ softwares available that offer many ways to build your performance. We think one of the greatest advantages we offer you with FinalScratch OPEN is the freedom to choose the ones that benefit you most. The most important thing to know here is that you don't need to buy any hardware - you already have it. Your Stanton ScratchAmp is a state- of-the-art low latency FireWire 96k / 24 bit audio interface that is compatible for use with a variety of software applications, making it an ideal solution for programs that do not currently ship with a sound card, such as MixVibes, Deckadance, Ableton Live, Traktor DJ Studio, PCDJ, and the like, and providing the connections needed from turntables, cd players, and microphones.
Because the ScratchAmp is an ASIO/WDM device on Windows and is a class compliant CoreAudio device on the MacOS, it can work with virtually every audio application on the planet. The Asio and CoreAudio compatibility ensure that pro-audio applications such as Cubase, Project 5, Ableton Live, FL Studio, Reason, and others will run flawlessly with the sound card.
FSdk
Stanton has now opened the Final Scratch format, allowing all software companies, big and small, to take advantage of time code support. We believe that by providing this technology free of charge to developers, as well as linking its use with the ScratchAmp, FinalScratch users will now enjoy an unbelievable new realm of possibility. FinalScratch OPEN now has the potential to become a cross software standard for vinyl control.
With FinalScratch OPEN, we are now shipping the world-class Stanton ScratchAmp as a standalone piece at an incredible value, and working with software developers to offer DJs the opportunity to choose the option that?s best for them. As an existing ScratchAmp owner, you can enjoy this benefit immediately! Stay tuned for the next steps... |
Edited by - Philip on 21 Apr 2009 19:55:45 |
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Philip
Moderator
Singapore
481 Posts |
Posted - 25 Feb 2007 : 20:55:17
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New product information
UBERSTAND laptop stand
Accommodates laptop and sound card or external hard drive
Folds flat for ease of transport
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Edited by - Philip on 21 Apr 2009 16:19:27 |
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Philip
Moderator
Singapore
481 Posts |
Posted - 25 Feb 2007 : 21:01:17
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REVIEWS
"I'm just getting into FinalScratch. I haven't done a performance with it yet, but I've been using it at my house and it's really amazing stuff."
- Interview with DJ Kaskade, URB Magazine
by DJ Times Magazine
Digital Delights:
By David Cross & Robert LaFrance
Stanton FinalScratch
Maybe I am prejudiced, but I love vinyl. I learned on it. I've used it for years. I even eat off it if all my plates are dirty. So, as the percentage of CDs that I play crept to over 50-percent, I started to wonder if I was losing a key aspect of DJing?performance. Sure, I can beatmatch and execute most of the same functions (maybe more) with CD. But it's just not as cool when the crowd looks up at the booth and sees me waive a small silver disc in the air, as opposed to back-spinning a vinyl record with all my might.
So how can a DJ keep the feel and performance of vinyl and still take advantage of the convenience of the digital domain? The answer is turntable-controlled DJ software, i.e.?use vinyl on standard turntables to control a DJ application playing digital audio files. Stanton (stantondj.com) and Native Instruments (native-instruments.com), the originators of the technology, have teamed up to provide another installment of their flagship product?FinalScratch 2 powered by Traktor. Let's see if it lives up to the hype.
Initial Reactions: As I removed the shipping box from my stoop, I was surprised by the small footprint, but considerable weight. Opening the box revealed a break-out-box-sized, silver computer interface that Stanton calls a ScratchAmp. The ScratchAmp is decidedly road-worthy with its metal casing and large rubber corner guards. The package is also consists of an untold number of cables, an installation CD, the timecoded vinyl records, and also timecoded CDs which enable you to use any DJ-oriented CD player to control your digital audio files as well. Sweet! The Traktor software installation was straightforward even with the licensing authorization procedure that requires a system ID and access to email.
As I glanced at the sheer number of hardware components, my natural fear of the unknown consumed me and I quickly grabbed the operation manual. (Unfortunately for me, this product has a learning curve.) Even with assistance from the manual, connecting the turntables to the ScratchAmp and the ScratchAmp to the computer while achieving quick response and quality sound without distortion was for me a feat.
FinalScratch works by connecting the phono output of your turntables to the ScratchAmp and the output of the unit to line inputs on your DJ mixer. The special records contain an analog audio signal that tells the software the exact time at which to play the digital audio file. Additionally, you can connect the "Thru" outputs on the ScratchAmp to your DJ mixer's phono inputs in order to maintain the ability to play normal audio vinyl (not timecoded). A bit complicated, but once I understood the concepts, it became intuitive.
So, after some reading and trial-and-error, I was able to get the timecoded records to control the sample audio files that come with FinalScratch. Tip for the newbies: Although FinalScratch offers compatibility and playlist synchronization with iTunes, make sure to unplug all other FireWire devices that are using the same card in the computer. The Traktor software could not read the timecoded records while my iPod was plugged in. It would also help the troubleshooting process if the ScratchAmp contained any kind of power indicator/LED.
Calibration: Once all the hardware components are installed, it's time to calibrate the hardware to ensure the timecode on the records is clear enough for the software to read. In my case, a simple turn of the gain knob on the ScratchAmp was all that was needed. But, there are also settings for rumble (in case you are playing in a club environment with significant bass) and sensitivity or "response," which can be adjusted to accommodate more heavy-handed DJs or even turntablists. After calibration, I was sure ready to hear some music.
Search and Display: The Traktor software offers the DJ a number of powerful search features for locating digital files on your hard drive or importing them from an audio CD. The left-hand window acts as Explorer does for Windows. Navigate to a folder on your C: drive that contains the files you want to play. The songs then appear in the playlist.
Certainly one of the main advantages of the FinalScratch system over traditional vinyl is the ability to locate any song in your collection via a simple text search. Type in a portion of the song title, artist, label, or user defined keyword, hit enter and up pops a list of songs that match?instantly. I imported about 800 songs into Traktor and the search response was still immediate. You can then sort the songs in your list by clicking on one of the fore mentioned titles in the header. Try that with traditional vinyl!
You can also organize your songs into virtual record "cases." Drag all your disco into one case, house into another and hip hop in a third. The cases correspond to the function keys on your keyboard for easy accessibility.
Once you've found that odd request, simply drag it from the playlist window onto either Deck A or B. Traktor visually displays the waveform on that deck with supporting information like title, artist, and BPM from the playlist entry. Time-elapsed and time-remaining are also visible here. A yellow bar indicates the position of the needle. Now, press Start on the turntable and you should be grooving. Vertical guides on the waveform display appear every minute and correspond to visual rings in the FinalScratch vinyl. You always know where you are in the track. Next, load up another song on Deck B and beatmatch with your turntable's pitch control, and your DJ mixer's faders, just like vinyl. In fact, it's easy to forget you are using FinalScratch at all after a few mixes. There is no perceivable latency or pitch drift even when beatmatching for minutes on end.
Sound Quality: Since it's so easy to forget that you are actually listening to digital audio, I bet you are wondering if it sounded as good as the old black circle. Naysayers take note?my answer is a resounding yes. Assuming you are using WAV files or high-quality MP3s (192K coding or above), there was no noticeable difference between FinalScratch and vinyl. Even pitched up or down to 8 with key lock engaged, the sound is warm and full. Scratching and cueing displayed no harsh digital artifacts except when powering off the turntable just as it came to a stop. Top quality.
Better than vinyl? While I'm not quite ready to put my traditional records in permanent storage, FinalScratch does offer some other interesting enhancements over vinyl. The first is an Anti-Skipping mode. This mode forces Traktor to only consider the speed and direction of the record and not follow the embedded timecode. This effectively makes the records skip-proof and allows for completely flawless scratching. In my tests, I could not make the record skip without dropping the turntable out the window.
Another exceptional feature is FinalScratch's auxiliary input. Since the ScratchAmp is essentially a modified computer sound card, the AUX inputs allows you to record your entire DJ mix direct to disk. Simply connect a second output from your DJ mixer to the AUX input and press Record. You can also connect a microphone to this input, record your voice and then immediately load it on one of the decks for vinyl-style manipulation.
Conclusion: All-in-all, FinalSctach 2 powered by Traktor lives up the hype. Excellent sound quality, DJ-friendly software design and powerful features command your attention. If you are looking for a portable, digital solution with the familiarity of vinyl, you should take a hard look at FinalScratch. Especially if you are a mobile DJ forced to carry (and then find) untold hundreds or thousands of songs to accommodate even the most obscure requests. I would like to see Native Instruments enhance the software platform to include some standard effects like delay and flange. Also, an automatic BPM counter could enable loops and effects to automatically sync to the beat without having to manually beatmatch them. But, in the end, FinalScratch is an excellent way to ensure you do not lose any of the performance aspects of the art of DJing while still progressing into the convenience and feature enhancements of the digital world. |
Edited by - Philip on 21 Apr 2009 20:00:17 |
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Philip
Moderator
Singapore
481 Posts |
Posted - 25 Feb 2007 : 21:08:59
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Super High Torque Professional Turntables
In creating the ST.150/STR8.150, Stanton went back to basics and re-engineered everything. These "no nonsense" turntables have everything professional DJs need, and nothing they don't. That's why the ST.150 (standard S shaped tone arm) and STR8.150 (skip-proof straight tone arm) are built first, and foremost with quality in mind. Both models offer durable construction designed to minimize feedback, industry-leading torque motor - up to 4.5 Kgf-cm, and an ultra-stable platter and tone arm. And with features like Key Correction, Reverse, up to 50% pitch adjustment, and S/PDIF digital outputs - the ST.150 and STR8.50 are strong contenders for the title of Turntable Supreme.
AWARDS
*DJ Magazine TScan Award - Best New Turntable
*DJ Magazine TScan Award - Best Turntable
*Remix Technology Award - Best Turntable
Stanton ST.150
Stanton STR8.150
* World's Strongest Torque Motor (4.5 Kgf-cm)
* Heavy Duty Steel Construction
* Ultra Stable Platter and Tone Arm
* Includes Stanton 680HP Cartridge
Other Features:
* Start/Brake Speed Adjustment
* Digital Output [S/PDIF] Plug straight into CD-R or computer sound card
* Key Correction
* Selectable Phono or Line Output (Key correction works on line output only)
* Dual Start/Stop Buttons
* Height Adjustable Tone Arm
* Reverse Play
* 3 speeds [33,45,78]
* Quartz Lock
* Selectable pitch control [+/-8%,+/-25%,+/-50%]
* Motor Off Feature
* Removable Target Light
* Adjustable Feet
* Includes slipmat and "L" shaped cables
* Includes Stanton 680HP cartridge mounted on headshell
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Edited by - Philip on 21 Apr 2009 19:49:12 |
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Philip
Moderator
Singapore
481 Posts |
Posted - 25 Feb 2007 : 21:16:58
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The T.120 (straight arm) and T.120C (curve arm) represent the new standard in turntable design. The industry's strongest direct drive motor pushes out 4.5 Kgf-cm of torque, while handy Reverse and Start/Brake adjust controls give DJs total control over the mix. Are you a professional DJ? Then this is your instrument.
REVIEWS
"Leave it to the folks at Stanton to surprise me with their new T.120C, which raises the bar both in terms of features and quality."
- Remix Magazine on the T.120C
"The T.120 looks great and after one mix had me questioning more than 20 years of fighting mixes on my old Technics."
-DJ Times on T.120
AWARDS
Remix Technology Award - Best Turntable
Stanton T.120C
* World's Strongest torque motor (4.5 Kgf-cm)
* Beautiful industrial design made of high-quality aluminum
* Ultra-stable platter and tone arm
* Start/Brake speed adjustment and Motor Off feature
* Dual Start/Stop Buttons and Reverse button
* Height Adjustable Tone Arm
* 3 playback speeds: 33, 45, 78 RPM
* Selectable pitch control (+/-8%,+/-25%,+/-50%) with Quartz Lock
* Removable Target Light
* Phono or Line Output
* Includes slip mat and dust cover
Stanton T.120
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Edited by - Philip on 21 Apr 2009 20:03:16 |
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Philip
Moderator
Singapore
481 Posts |
Posted - 25 Feb 2007 : 21:19:54
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DJ SLIPMAT - DSM-9F
An original Focus design. Low Friction Slipmats are a brand new concept from the mind of Focus. The circular cut outs are designed and laid out for less surface contact.
DJ SLIPMATS DSM-10
Our DJ slipmats are manufactured from a resin treated, glazed urethane material with anti-static properties. Its rugged construction makes them an excellent choice for use in clubs or broadcast applications, where back cueing and slip cueing are required.
* Professional slipmats ideal for slip- and back-cueing
* DSM-10 is ideal for most club/mix DJs
* DSM-9 designed by DJ Focus for turntablists/scratch DJs
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Edited by - Philip on 25 Feb 2007 21:20:36 |
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Philip
Moderator
Singapore
481 Posts |
Posted - 25 Feb 2007 : 21:23:04
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Affordable Pro-quality DJ turntable
The Stanton T.80 brings futuristic looks and the latest digital technology together in a world-class turntable with a powerful direct-drive motor. With Key Lock built-in, DJs can adjust the tempo of a record without affecting pitch, while a S/PDIF digital output makes the T.80 great for archiving vinyl or for use with a digital mixer.
* Pro-quality turntable with high-torque direct drive motor and unique design
* Straight tone arm for superior tracking when scratching
* Unique digital features like Key Lock (Master Tempo) and S/PDIF output
* 2 Start/Stop switches for mix or battle setup
* 3 playback speeds (33, 45, 78 RPM), plus Quartz Lock and target light
* Pitch control slider with selectable range (+ / - 8%, 12%)
* Includes Stanton 500B cartridge, slip mat and cloth dust cover
T.80
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Edited by - Philip on 21 Apr 2009 20:05:12 |
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Philip
Moderator
Singapore
481 Posts |
Posted - 25 Feb 2007 : 21:25:40
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The T.60 is Stanton's most affordable direct drive turntable. It features a powerful motor with plenty of torque, a straight tone arm ideal for scratching, plus two Start/Stop switches, a pitch control slider and removable target light?all at a great price.
* Affordable direct drive turntable with eye-catching design
* Straight tone arm for superior tracking when scratching
* 2 Start/Stop switches for mix or battle setup
* Pitch control slider with + / - 10% adjustment
* 2 playback speeds: 33 or 45 RPM
* 2 RCA outputs (cable included) and ground connector
* Includes Stanton 500B cartridge*, slip mat and cloth dust cover
T.60
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Edited by - Philip on 21 Apr 2009 20:06:36 |
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Philip
Moderator
Singapore
481 Posts |
Posted - 25 Feb 2007 : 21:27:41
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The Stanton T.50 raises the bar for entry-level turntables. Aside from its striking new looks, this belt drive model boasts professional features like a skip-resistant straight tone arm, two Start/Stop switches, a pitch control slider and removable target light.
* Affordable belt drive turntable with eye-catching design
* Straight tone arm for superior tracking when scratching
* 2 Start/Stop switches for mix or battle setup
* Pitch control slider with + / - 10% adjustment
* 2 playback speeds: 33 or 45 RPM
* 2 RCA outputs (cable included) and ground connector
* Includes Stanton 500B cartridge*, slip mat and cloth dust cover
T.50
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Edited by - Philip on 21 Apr 2009 20:07:38 |
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Philip
Moderator
Singapore
481 Posts |
Posted - 25 Feb 2007 : 21:31:12
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Stanton DJ Professional Dual CD Player
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Edited by - Philip on 21 Apr 2009 20:08:55 |
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Philip
Moderator
Singapore
481 Posts |
Posted - 25 Feb 2007 : 21:32:41
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Philip
Moderator
Singapore
481 Posts |
Posted - 25 Feb 2007 : 21:33:49
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Philip
Moderator
Singapore
481 Posts |
Posted - 25 Feb 2007 : 21:34:52
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Philip
Moderator
Singapore
481 Posts |
Posted - 25 Feb 2007 : 21:42:50
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CM.205
This versatile CD mixer offers up serious options with style and convenience for the professional DJ. The CM.205 combines the benefit and utility of a dual top loading CD player with anti-shock buffer and full MP3 functionality. A solid Stanton 2 channel mixer completes this All-In-One "hybrid" solution for the contemporary DJ without sacrificing traditional quality.
CD Section includes:
* MP3 playback
* 20-sec. anti-shock buffer per side prevents CD "skips"
* 8% pitch control with pitch bend
* Fader start
* Relay play
Mixer section includes:
* 2 line inputs to connect iPod?, other MP3 device or more CD players
* Gain and 3 band EQ (+9/-26) per channel
* User replaceable crossfader
* 1/4" mic input with volume control
* Headphone output with cue pan
Optional rack ears included
iPod Ready:
* 1 iPod? cable included for plug and play connectivity
red]iPod is a registerd trademake of Apple Computer, Inc.
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Edited by - Philip on 21 Apr 2009 20:13:30 |
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Philip
Moderator
Singapore
481 Posts |
Posted - 25 Feb 2007 : 21:45:11
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The M.505 is a true 5-channel club mixer, allowing DJs to connect up to five phono/line inputs while retaining a separate mic channel. The onboard effects loop offers unprecedented flexibility, making it possible to preview an external effect in headphones and route it to a variety of sources. Factor in Stanton's Superior Sound Technology? (SST) and high-quality components?including a fully assignable Penny & Giles crossfader?and the M.505 stands in a class all its own.
* 12" Club Mixer with 5 Input Channels plus Separate Mic Channel
* Engineered with Superiro Sound Technology for Studio-quality Sound
* Flexible FX Loop: Route External Effects to Headphone Cue, Crossfader or Master Output
* Preview External Effects in Headphones with Split (Wet/Dry) or Stereo Cue
* Fully Assignable Penny & Giles Crossfader with Dual Curve Adjust
* 60mm Long-throw Faders and 3-Band EQ per Channel with Complete Kill
* 5 Phono Inputs, 5 Line Inputs and 2 Switchable Mic/Aux Inputs with an (XLR, 1/4") Combo Jack
* Flexible Outputs: Master (XLR, 1/4", RCA), Booth (1/4", RCA), Record (RCA) and Headphone (1/4", 1/8")
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Edited by - Philip on 21 Apr 2009 20:14:36 |
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Philip
Moderator
Singapore
481 Posts |
Posted - 25 Feb 2007 : 21:48:09
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With spring-loaded kill switches and an FX loop built in, the M.304 is the perfect choice for DJs who want to get creative with their mixes. And this 10-inch mixer doesn't just look good; it sounds great, too?thanks to Stanton's Superior Sound Technology.
* 3-channel mixer with Penny & Giles crossfader and FX loop
* Engineered with Superior Sound Technology for ultra-low noise and zero bleed
* 3 Phono inputs, 6 Line inputs, plus Mic input with EQ
* Gain knob with LED indicators on all three channels
* 3-band EQ on all channels, plus kill switches on channels 1 and 3
* Cue section with PFL and Cue Pan
* Balanced Master and Booth outputs
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Edited by - Philip on 21 Apr 2009 20:15:49 |
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Philip
Moderator
Singapore
481 Posts |
Posted - 25 Feb 2007 : 21:50:51
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The SA.5 is the first professional battle mixer which does not have a single rotary knob. Using all faders gives turntablists controls with which they are familiar and comfortable using. The positioning of all sliders and switches has been taken into special consideration for a clean, simple and easy to understand layout that is not over-crowded or confusing. Stanton's Engineering team has taken great care in designing a mixer that will sound great whether being used on stage at battles or in the studio. It is guaranteed to be the mixer that future world champions are made on.
Offical Championship Mixer
Allies Allstar Beatdown Battle
* 2 channel scratch mixer
* Custom Penny and Giles faders and crossfader with curve adjustment
* OSII optical phono/line switches with LOCK feature
* 3 position cue select switch Pre CF / Post CF Cue / Master
* 3-band EQ with complete kills
* Program Reverse
* 2 headphone outputs (1/4" and 1/8" minijack) w/headphone mute switch
* Master output attenuation control
* PGM input attenuation control
* Unique front panel design prevents dj from accidentally damaging the headphone jack and mixer during battle
* TRS balanced master outputs
* Ultra Quiet: Dynamic Range greater than 110dB, noise floor less than 92 dBV (line)
* No Bleed: Channel fader and Crossfader Kill better than 95 dB
* Line to Phono and Phono to Line Crosstalk better than 90 dB
* Low Distortion: less than 0.015%@1kHz
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Edited by - Philip on 21 Apr 2009 20:17:57 |
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Philip
Moderator
Singapore
481 Posts |
Posted - 25 Feb 2007 : 21:52:32
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Philip
Moderator
Singapore
481 Posts |
Posted - 25 Feb 2007 : 21:53:53
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Stanton Singapore
